Tag: #K12Education

Everything public schools — from curriculum wars to classroom wins. Protecting our schools, our teachers, and every kid’s right to learn true history.

  • And Suddenly, There’s A Math Book (You Already Know)

    And Suddenly, There’s A Math Book (You Already Know)

    This is a repost from The JLV.

    Note: This is a reminder that, if you became a paid subscriber to Jose’s blog, you’ll get a signed copy of You Already Know! If you’d like to support this scholar, join his newsletter here.


    Remember when I told you I’d need a timeout so I could write a book? Welp, it’s almost here and I’m so excited to share how we got here!

    Believe it or not, it starts where it ends. In early February of 2020, I had a call with an editor about a potential math book. She said, “Jose, but I’m not a math editor.” I said, “Exactly.” I didn’t want to write the typical content-area book. We have plenty of examples of great math books, but few that discuss underlying principles and who we’re doing this work for. In other words, if the math book hit for a person who didn’t see themselves as a math content expert, then I’ve written the book I wanted in the world.

    But then two life-altering things happened back-to-back: an acceptance letter to Teachers College, Columbia University to pursue my doctorate and a global pandemic arriving on American shores. In the midst of a personal win, I quickly felt the immense wave of losses. As degrees of separation between me and people who died from COVID passed, I also saw my classes physically slipping away. Some people’s memories, including Robert F. Kennedy Jr.’s, may be short, but more of us remember the harrowing images and numbers of people we lost. I became the bearer and receiver of bad news weekly.

    And then there was this book. 

    I was fiddling with ideas in a proposal. The words came in chunks, not flows. One of my first proposals felt like I threw papier-mâché on my walls. “Here’s what I want to say to families.” “Here’s what I might say to non-math educators.” This all happened while reading about Marx, Engels, and Weber, turning in theoretical papers deep in the trenches of my mind, but distant from the lived realities of people away from the centers of academia. People asked me to make meaning of education amidst human rights rebellions in the street, social depression among our youth, and political turmoil.

    I willingly obliged them because I, like so many of us, needed to rise to the occasion. As always. But then this book.

    This book may get marketed as “by a teacher for teachers,” but underneath it lies ulterior motives. As I’m breezing through earlier proposals and drafts I submitted, I’m trying to address people who consider themselves “non-math” people. What even is a math person? Many of us who teach math were more often than not the winners of a system that, at each stage of our K-12 journey, treats math like a sifter until only the finest powder makes it through. That’s one way of creating a society, but does it point towards an authentic democracy? 

    No, definitely not. Where too many people concentrate strictly on outcomes, I see there’s a need to talk about how we got here. It isn’t just standardized testing. It’s a complete disregard of civilizations since time immemorial. Our concepts of zero, our units of measurement (because customary is just awful), and our math more generally came to the present through political and structural means. Which math mattered and for who has always been up for debate. What shouldn’t be up for debate is whether our students come from communities that use math on multiple fronts.

    The book hopefully solves for that, too.

    And so the title You Already Know emerges from that idea. I’ve talked to you about ideas, but ultimately, here are some things worth knowing:

    • I don’t remember when it was over until it was.
    • There were multiple eyes on it at different points of the process, but ultimately, the writing and composition all came from within me.
    • I could have kept writing. Even before we had to turn it into the printer, I still had minor revisions and edits I wanted to make.

    You’re getting my best (up to this point) ideas about the math I learned and who I learned it from. As most of the country’s PK-12 students have already started classes, this book hopefully arrives just when you either feel bored, stymied, or in need of a reminder of the math teacher you want to be for your students. The book even comes with a short framework for how to do the work:

    You Already Know is organized around five core principles of responsive math pedagogy:

    • use what students already know
    • allow more mistakes
    • support students’ struggle
    • let students teach, too
    • answer questions with more questions

    I’m also seeing how this book comes just weeks before more potential civil unrest in the form of midterm elections. While federal and local forces attempt to take a hatchet to governance, I also wish for this book to help carve the way forward. It should stand as testament that someone said and did something to concretize the work of teachers. As someone who’s taught so many students of different backgrounds, I believe we’re ten toes down on responsiveness to our students and communities, too.

    But you already knew that. I know you did.

    Jose

  • The Curriculum Of Bad Bunny At The Super Bowl Halftime Show

    The Curriculum Of Bad Bunny At The Super Bowl Halftime Show

    BY JOSE VILSON | FEBRUARY 17, 2026

    “¿Esto lo que tu queria?”

    The scene with Bad Bunny in the Spike Lee-inspired Double Dolly shot was the wink to the audience that pulled his Super Bowl half-time show together. For those who haven’t watched any of Lee’s most prized cinematic works (Malcolm X, 25th Hour, Crooklyn, to name a few), the shot serves an important purpose. Rather than the more passive viewing of the film, the double dolly forces the viewer to sit with the protagonist’s stream of consciousness. 

    For educators who watched, it might feel difficult to peer through this 13-minute sample of Bad Bunny’s art in this way. As with any piece of this kind, accessibility and cultural translation matter just as much as language translation. In this case, Bad Bunny takes the opportunity to open a window into his process for the show. The violinists break from the raucous “EoO” into a melodramatic “Monaco,” a song in which Bad Bunny discusses the gift and curse of rising to fame. He addresses his fans (“I’m here at Super Bowl 60 because I never stopped believing in myself. You, too, should believe in yourself. It matters more than you think.”) and his dissidents (“Is this what you wanted?”).

    But you’re not supposed to turn into Bad Bunny in the classroom. You’re supposed to learn how to see. That’s the difference.

    The transition to a wedding singer in which Lady Gaga plays wedding singer for a couple’s nuptials elevates the conceit. The halftime show, akin to Kendrick Lamar’s halftime show last year, was a set of artistic metaphors with his discography as the soundtrack. Unlike Lamar’s, however, Mr. Ocasio took this opportunity to provide more of a framework for the education behind his music. As evidence, it only took 24 hours for educators and historians to interpret the various historical and contemporary symbols on display.

    (Notably, Petra R. Rivera-Rideau and Vanessa Díaz wrote an opinion piece related to their book on Bad Bunny’s politics. I saw this carousel from @salsamarii and this well-researched piecefrom Elisabet Velazquez, too. Melany Centeno also broke down the dancing in this recent YouTube video. Feel free to show them love.)

    From the opening interpolation of Antony Santos’ music to the light blue in the Puerto Rican flag, Ocasio presented a Latin America that doesn’t make it into millions of homes in the United States. He showcases multiple influences to his personal and musical sides. He then recognizes the current plight of the Puerto Rican diaspora, and gives a well-placed shout-out to his inner child. Even the various recognizable faces in his show (Ricky Martin, Cardi B, Pedro Pascal) felt like touchstones to different parts of his ambition. The breadth of symbols provide material from which to understand him, but also the people who empathize with him personally and culturally.

    In the United States, much of the backlash to his performance parallels the rancor towards culturally responsive sustaining education. Millions have pushed back against censorship laws, but it’s not enough. While policies against inclusive education remain vague, educators and schools have felt the silencing effects. The fear of ending up in a raging fascist’s social media feed or on the cover of a yellow rag is palpable. For the small yet powerful group of pundits, the mere mention of a character misaligned with their version of “normal” is out of bounds. 

    This cynical and petty view of curricula stands in stark contrast to a praxis that points towards a shared humanity. What would it mean for teachers to ask students, “Who and what shapes your world?”. What if we asked them to create an interdisciplinary project and used this (or Lamar’s) half-time show as a reference for what they include? We have activities similar to this in our art classes for example. This feels like a humanities lesson, but I can imagine these conversations can spark other connections. Bad Bunny’s open critique of LUMA has connections to science, for instance. 

    As a sociologist, I’m constantly looking at how our personal dimensions connect with the interpersonal, systemic, and institutional layers. Social sciences shouldn’t be limited to higher education, though. In a way, music like Mr. Ocasio’s offers a way to make complex topics palatable and relatable to the masses. “LO QUE LO PASÓ A HAWAII” is an extended allusion to the plight of colonized islands. “DtMF” metaphorically shows his longing for a more utopian Puerto Rico against a politically tenuous backdrop. 

    How are students wrestling with their dimensions? How do they wish to demonstrate that in our world?

    Learning is steeped in identity. The learning will look different, though not lesser, because of who they are. Amidst critical discussions about race, sexual orientation, and disability, we know the role culture plays in learning. Our students deserve arenas where they get to learn as much about themselves as they do about others. As the show progressed in the Bay Area, Bad Bunny tied in communities far and wide by name and flag. This version of diversity, equity, and inclusion creates an environment that feels additive without harming onlookers. It’s an invitation to appreciation without appropriation. 

    Relatedly, the “other” halftime show headlined by Kid Rock, shot two weeks prior with paid actors in the audience, offered the type of show that told its audience, “You don’t have to go further than this.” The pyrotechnics felt cheap and the lip-synching lacking care for watchers and performers alike. Unfortunately, our schools, plagued by scripted curricula, AI tools, and over-testing, know this dehumanization too well. 

    By the time the performers paraded the flags of the western hemisphere i.e. South, Central, and North Americas, we got the clarion call from Ocasio to rethink how we understand the function of borders. Armed, masked men terrify (United States of) American citizens with state-sanctioned violence. This fact has remained true since before 1776. However, any semblance of contemporary American democracy has come from the descendants of people who’ve survived America’s worst. Where Lamar represents for many the descendants of chattel slavery, Ocasio represents descendants of historical and contemporary colonization. 

    Surely, Bad Bunny wasn’t starting a revolution with his performance, not in the middle of a billion-dollar football game sponsored by multi-billion dollar corporations. But mirth and celebration facing up against empire’s worst is not an unfamiliar strand in many people’s histories. 

    Bad Bunny’s curriculum offers a chance to remember to do better. Again, I ask: will America do better?

  • How Parents can Prepare for a Strike at Your Child’s School Site

    by Mariposa | February 2, 2026
    Reprinted with permission. This article was previously posted on Medium as “How as a public school parent to “prepare” for a workers strike at your CA school site” (Follow and support their work!)

    Hi! I am a CA current public school parent of a elementary age student and I am creating this guide, because so many parents have personally contacted me on best practices of what do if their school district will strike. Many Unions at public school districts in CA have authorized a strike, as mines has. LAUSD, SFUSD, SDUSD, and many others have either autorhized a strike or it feels like that vote might be happening soon.

    This is a guide from a well seasoned public school parent on what to do now in case the possibility if your public school district goes on strike. Every democracy only functions with a well supported fully funded public education system. Without public education, democracy dies.

    How to prepare for a teacher strike at your kid’s school.

    Here is how best to prepare so your child doesn’t cross the picket line and stands in solidarity with its teachers.

    1. Tell your school district they need to settle with the teacher’s union.

    Tell the district how very important it is to you as a parent and how you support your union and for them to settle. If you are a registered voter, remind your school board you will be voting in your upcoming elections. Have your student write or draw a picture of support of your union to the district. Write comments of support on your district’s social media page on fb, IG, or whenever else.

    2. Contact your after/before school program about childcare and create a mutual aid childcare.

    If you have a job schedule that will be impacted due to the loss of a school day, contact your childcare that your child normally attends, and ask them what do they plan to do if a strike happens, if they will be providing childcare, and if there are any extra costs associated with it. They may not have a answer for you but inquiring to them lets them know there is a demand from parents for this childcare.

    If you have no childcare program, or your childcare program is not covering childcare during the strike, CREATE YOUR OWN CHILDCARE. Many parents are creating possible childcare opportunities with fellow school site parents, and reach out to the parents you already know and ask them if they want to share childcare days during this time.

    3. Contact your workplace if this will impact your workload.

    If you have a daytime/afternoon work that will be impacted due to loss of a school day. Let them know now as much as you, and that when more information becomes available you will share that as well. See if there are work family accommodations that can be requested, like working from home while there is a strike, etc. This is very common with other strikes like public transit strikes that prevent workers from getting to work and many will work at home during that time being.

    4. Join your teachers on the line!

    If you can join your teachers on the line while striking for at least a day, even a hour means a lot. Stand in Solidarity with them, and seeing thier students and families show up for them by holding a sign, marching, or whatever else is needed, means so much. Dropping off food and waters are also huge support to your teachers! This is a great way to show some teacher appreciation!

    5. Have a conversation with your kid about the potential strike.

    Let your student/s know that a potential strike might happen at thier school site, and how that means their teachers are standing up for what they believe in and if there was any other way to not have a strike the teachers would have done it. Teachers only strike if there is no other possible way. Brainstorm ideas with your student how they can show solidarity with teachers, making that is baking cookies to give to teachers, buying water bottles, writing a personal letter, making signs, making plans to join the line if there is a strike.

    6. Read these books with your kids.

    Si, Se Puede! Yes, We Can!: Janitor Strike in L.A. By Diana Cohn and illustrated by Francisco Delgado.

    Title of book saying “S, Se Puede - Yes We Can!” about the Janitor Strike in L.A. by Diana Cohn and illustrated by Francisco Delgado. It shows a colorful illustration of workers of many races in red shirts protesting with children and families to fight for worker rights.

    Readaloud: https://youtu.be/0ygADdYZ624?si=hW5BeMbcpH3_G_Wf

    Readaloud book only: https://youtu.be/uONnW5SoaGE?si=cTLXMmPXZY_mprvD

    This is a book cover with the title: “Journey for Justice - The Life of Larry Itliong” by Dawn B. Babalon, PhD and Gayle Romasanta. Illustrated by Andre Sabiyan. It shows a colorful illustration of labor leader, Larry Itliong, a Filipino many in glasses and short hair smiling in front of a peachy colored background and green rows of argiculture in the background.

    Journey for Justice: The Life of Larry Itliong by Dawn Bohulano Mabalon, Gayle Romasanta

    Readaloud: https://youtu.be/jTl17BnAaPk?si=8nH96hGqTDeIqmcO

    This is a book cover titled: “Viva’s Voice” by Raquel Donoso and illustrated by Carlos Vélez. It shows a colorful illustration of a brown child on the shoulders of her father holding a sign listing the title of the book. Behind her are people of many racial backgrounds happily chanting strike slogans in front of busses. Some of theri signs ask for change and air pay.

    Viva’s Voice by Raquel Donoso, illustrated by Carlos Velez.

    Readaloud: https://youtu.be/_4FIxkv_STM?si=6IlJ1BGh0VTL0Hz_

    This is a book with the title: “The Teachers March! - How Selma’s Teachers Changed History” by Sandra Neil Wallace and Rich Wallace and illustrated by Charly Palmer. It shows a beautiful illustration of Black people holding signs saying “Equal Rights for All”, “We Want Freedom NOW!” and “Voting Rights.” They are wearing suits and colorful coats and standing in front of Selma City Hall.

    The Teachers March!: How Selma’s Teachers Changed History by Sandra Neil Wallace (Author), Rich Wallace (Author), Charly Palmer

    Readaloud: https://youtu.be/z9rB5AAtiVQ?si=I9HOB33y3QakJvek

    This is a book titled, “Alejandria Fights Back - La Lucha de Alejandria” by Leticia Hernàndez- Linares and hte Rise-Home Stories Project and illustrated by Robert Liu-Trujillo and translated by Carla España. It shows an illustration of a young brown girl speaking behind a podium with people of all races holding signs that read “no Nos Voverán”, “People Over Profit”, “I Heart My Home” and “Our Roots are Here."

    Alejandria Fights Back! / ¡La Lucha de Alejandria! by Leticia Hernández-Linares (Author), The Rise-Home Stories Project (Author), Robert Liu-Trujillo (Illustrator), Carla España (Translator) (BILINGUAL SPANISH)

    Readaloud: https://youtu.be/adPhiVroya0?si=–Xq9ocRRRkdtOPN

    I understand all these read alouds are in English, and may be limiting for the language your child reads and learns in. Please take this list as a beginning and feel free to find more books on Union power and organizing.

    SF Based Parent Resources are listed below:

    If you are a parent in SFUSD please email through this link: https://actionnetwork.org/letters/san-francisco-families-educators-and-community-demand-stable-schools-now?source=direct_link&

    Please consider adopting a picket at your school site: https://docs.google.com/forms/d/e/1FAIpQLSelkCrL0Xp53Fbn8KEsejhJK9bSqYtR-l5uSG7zip2EpVM-KA/viewform

    Do you have more tips to recommend? Share them in the comments below!